441 Royalty-Free Audio Tracks for "V W Bug"

V42 of V - V - I in C. Created by Hyacinth (talk) 14:09, 15 May 2010 using Sibelius 5.

V65 of V in C, four-part harmony. Reduced from Chopin.

V of V in C, four-part harmony. Reduced from Chopin.

V of V in C, four-part harmony. From Bach.

V of V in C, four-part harmony. Bruce Benward and Marilyn Nadine Saker (2003). Music: In Theory and Practice, Vol. I, seventh edition: p.269. ISBN 978-0-07-294262-0.

V/V-V-I in C, in four-part harmony.

V of V in C, on guitar.

Secondary dominant with barbershop seventh chords. V/V - V - I in F major (G7-C7-F). Derived from [1]. In just intonation. Sevenths are harmonic sevenths, and the F in the first measure is 27.26 cents lower than the F in the third measure. Pitch bend matches intervals.

Created by Hyacinth (talk) 03:26, 24 December 2010 using Sibelius 5. vi-ii-V-I circle progression in Mozart's Sonata, K. 545.

George Marston

John A. West

Zapis dźwiękowy pieśni "Ach w téj studni zrzódło bije" ze zbioru "Pieśni Ludu Polskiego w Górnym Szląsku".

vi-IV-I-V chord progression in C. Created by Hyacinth (talk) 23:43, 25 March 2010 using Sibelius 5. vi-IV-I-V progression resolving to I.

Turnaround in F. Created by Hyacinth (talk) 04:07, 12 June 2010 using Sibelius 5.

Created by Hyacinth (talk) 21:44, 22 December 2010 using Sibelius 5. vi-ii-V-I in C.

William Byrd, The Bells

IV-V-I chord progression in C. MIDI file Progression d'accords. Fichier midi.

Vintage 1976 cloth top vw bug. I searched the database for this sound with no luck. Luckily i had some friends that could help me out. 2 people (my friends terese and jb) opened and closed the cloth top while i sat in the passenger side recording. I used a zoom h6 with the the xyh-6 mic at 24 bit 48k.

Sveriges Radios folkmusikinspelningar. Norsk-svensk spelmansstämma. Dokumentatör: Matts Arnberg (Q5559459), Rolf Myklebust (Q11998273) Radiotjänsts ursprungliga produktionsnummer: MT 60/198:2:4

Sveriges Radios folkmusikinspelningar. Norsk-svensk spelmansstämma. Dokumentatör: Matts Arnberg (Q5559459), Rolf Myklebust (Q11998273) Radiotjänsts ursprungliga produktionsnummer: MT 60/198:6:4

Sveriges Radios folkmusikinspelningar. Norsk-svensk spelmansstämma. Dokumentatör: Matts Arnberg (Q5559459), Rolf Myklebust (Q11998273) Radiotjänsts ursprungliga produktionsnummer: MT 60/198:6:5

Sveriges Radios folkmusikinspelningar. Norsk-svensk spelmansstämma. Dokumentatör: Matts Arnberg (Q5559459), Rolf Myklebust (Q11998273) Radiotjänsts ursprungliga produktionsnummer: MT 60/198:2:3

ii-V substitution.

Byrd, Earle of Salisbury Pavane

Byrd Pavane 'The Earl of Salisbury', 1612

O Devine Redimer by Charles Gounod Columbia Record A-5519 Recorded 15.09.1913

Aria "Vision fugitive" (Fleeting vision) from Jules Massenet's 1881 opera Hérodiade, sung by Charles W. Clark (1865–1925)

Original Dixieland Jazz Band: "Saint Louis Blues" (1921)

Chinnari papa song from Gruhalakshmi

kallu maanandoy babu song from Gruhalakshmi

Sveriges Radios folkmusikinspelningar. Finlandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:15:8

Sveriges Radios folkmusikinspelningar. Finlandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:15:9

Sveriges Radios folkmusikinspelningar. Finlandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:15:6

Sveriges Radios folkmusikinspelningar. Finlandsresan 1957 Dokumentatör: Matts Arnberg SV EN Instrument: Röst (sång) Radiotjänsts ursprungliga produktionsnummer: MA 57/11142:15:7

It is enough from Felix Mendelssohn's (1809–1847) oratorio Elijah (1846 ), sung by Charles W. Clark

ii-V-I turnaround in C, in four-part harmony.

Bengali song

ii-V-I turnaround in C, in four-part harmony.

ii-V-I turnaround in C, in four-part harmony.

Bach - Well-Tempered Clavier, Book I, Prelude I (C major, BWV 846), opening bars.

1st release date: 1936 1st recording date: 1935 Composer: Hugo Wolf (1860-1903) Lyricists: Eduard Mörike (1804-1875) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Um Mitternacht Music genre: Tone poem

Entrance of the Gladiators, performed and recorded by the United States Marine Band circa 1999.

1st release date: 1936 1st recording date: 1935 Composer: Hugo Wolf (1860-1903) Lyricists: Johann Wolfgang von Goethe (1749-1832) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Grenzen der Menschheit (Part 2) Music genre: Tone poem

1st release date: 1936 1st recording date: 1935 Composer: Hugo Wolf (1860-1903) Lyricists: Johann Wolfgang von Goethe (1749-1832) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Grenzen der Menschheit (Part 1) Music genre: Tone poem

1st release date: 1933 1st recording date: 19 November 1932 Composer: Hugo Wolf (1860-1903) Lyricist: Johann Wolfgang von Goethe (1749-1832) Performer: Alexandra Trianti (soprano) (1901-1977), Coenraad V. Bos (pianoforte) (1875-1955) Work: (a) Blumengruss - (b) Gleich und gleich - (c) Frühling übers Jahr Genre: Tone poem

1st release date: 1933 1st recording date: 19 November 1932 Composer: Hugo Wolf (1860-1903) Lyricist: Johann Wolfgang von Goethe (1749-1832) Performer: Alexandra Trianti (soprano) (1901-1977), Coenraad V. Bos (pianoforte) (1875-1955) Work: (a) Die Spröde - (b) Die Bekehrte Genre: Tone poem

O du, mein holder Abendstern from Richard Wagner's opera Tannhäuser

1st recording date: 1935? 1st release date: 1936? Composer: Hugo Wolf (1860-1903) Lyricists: Walter Robert-Tornow (1852-1895) based on a text in italian by Michelangelo Buonarroti (1475-1564) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Wohl denk' ich oft (Wohl denk ich oft an mein vergangnes Leben)

1st recording date: 1935? 1st release date: 1936? Composer: Hugo Wolf (1860-1903) Lyricists: Walter Robert-Tornow (1852-1895) based on a text in italian by Michelangelo Buonarroti (1475-1564) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Alles endet, was entstehet

1st release date: 1936 1st recording date: 1935 Composer: Hugo Wolf (1860-1903) Lyricists: Walter Robert-Tornow (1852-1895) based on a text in italian by Michelangelo Buonarroti (1475-1564) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Fühlt meine Seele (Fühlt meine Seele das ersehnte Licht) Music genre: Tone poem